Jacky Chan Biography

The boy who would become Jackie Chan was born April 7, 1954 with the name Chan Kong-sang in Hong Kong. Compared to many other mainland refugees (as a result of China's Communist revolution), the Chan family had it fairly easy. His parents worked for the French ambassador; his father as a cook, his mother as a maid.

When Jackie was 17, he graduated from the China Drama Academy. Unfortunately the Chinese opera was no longer very popular, so Jackie and his classmates had to find other work. This was difficult because at the school they were never taught how to read or write. The only work available to them was unskilled labor or stunt work. Each year many movies were made in Hong Kong and there was always a need for young, strong stuntmen. Jackie was extraordinarily athletic and inventive, and soon gained a reputation for being fearless; Jackie Chan would try anything. Soon he was in demand.

Over the next few years, Jackie worked as a stuntman, but when the Hong Kong movie industry began to fail, he was forced to go to Australia to live with his parents. He worked in a restaurant and on a construction site. It was there that he got the name "Jackie." A worker named Jack had trouble pronouncing "Kong-sang" and started calling Jackie "little Jack." That soon became “Jackie” and the name stuck.

Jackie was becoming a huge success in Asia. Unfortunately, it would be many years before the same could be said of his popularity in America. After a series of lukewarm receptions in the U.S., mostly due to miscasting, Jackie left the States and focused his attention on making movies in Hong Kong. It would be 10 years before he returned to make Rumble in the Bronx, the movie that introduced Jackie to American audiences and secured him a place in their hearts (and their box office). Rumble was followed by the Rush Hour and Shanghai Noon series which put Jackie on the Hollywood A List.

Despite his Hollywood successes, Jackie became frustrated by the lack of varied roles for Asian actors and his own inability to control certain aspects of the filming in America. He continued to try, however, making The Tuxedo, The Medallion, and Around the World in 80 Days, none of which was the blockbuster that Rush Hour or Shanghai Noon had been.